Adrian Tomine, from Optic Nerve No. 13

Crockett Johnson & Ruth Krauss & Adrian Tomine

Cool! My biography, Crockett Johnson and Ruth Krauss: How an Unlikely Couple Found Love, Dodged the FBI, and Transformed Children’s Literature (2012), has a cameo appearance in Adrian Tomine‘s Optic Nerve #13. (Click on the strip to see a larger version.) Appropriately, the context is an affirmation of – and some nostalgia for – print

Marc Simont

“If I like what I’m doing, the kids will like it, too”: Marc Simont (1915-2013)

When his roommate, Robert McCloskey, wanted to study ducklings for his next book, Marc Simont let him adopt a whole group of them. McCloskey followed them around their small Greenwich Village apartment, sketching each one from all angles – work that would help make his Caldecott-winning Make Way for Ducklings (1941) a classic. Simont would

The Purple Crayon’s Legacy, Part II: Picture Books

In the 58 years since its publication, Crockett Johnson’s Harold and the Purple Crayon has appeared in 14 languages, and inspired many artists.  This blog (which takes its name from a line in the book) presented The Purple Crayon’s Legacy, Part I: Comics & Cartoons… nearly three years ago.  It is at last time for

Antonio Frasconi (1919-2013)

Antonio Frasconi, woodcut artist and children’s-book illustrator, died on January 9th at the age of 93. I heard about it this morning, but I’ve yet to find a full obituary (apart from this brief notice by Joey of Purchase College). So, I’m writing a few words. He was born in Buenos Aires, to Franco Frasconi

Front cover by Chris Ware for: Crockett Johnson and Ruth Krauss: How an Unlikely Couple Found Love, Dodged the FBI, and Transformed Children's Literature (forthcoming from UP Mississippi, Sept. 2012)

Crockett Johnson and Ruth Krauss: a mix

Here is a mix to celebrate the publication of my new biography, Crockett Johnson and Ruth Krauss: How an Unlikely Couple Found Love, Dodged the FBI, and Transformed Children’s Literature (2012).  Its official publication date is today (Sept. 1st), though it’s actually been available for a few weeks now. Given my own interest in music, it’s

Remembering Remy Charlip (1929-2012)

As you may have heard by now, Remy Charlip has passed away at the age of 83. The author of Fortunately (1964), Arm in Arm (1969), Thirteen (1975) and many others, Charlip was also a dancer, choreographer, and the model for Brian Selznick’s rendition of Georges Méliès in The Invention of Hugo Cabret. He was

Front cover by Chris Ware for: Crockett Johnson and Ruth Krauss: How an Unlikely Couple Found Love, Dodged the FBI, and Transformed Children's Literature (forthcoming from UP Mississippi, Sept. 2012)

It’s here, in hardcover and paperback.

Greetings, faithful readers. I am pleased to report that Crockett Johnson and Ruth Krauss: How an Unlikely Couple Found Love, Dodged the FBI, and Transformed Children’s Literature – a book that was twelve years in the making – now exists in both hardcover and paperback.  I received my author copies today, which means that it should

Chris Ware's cover for Crockett Johnson and Ruth Krauss: How an Unlikely Couple Found Love, Dodged the FBI, and Transformed Children's Literature

Crockett Johnson and Ruth Krauss: Chris Ware’s cover

Graphic genius Chris Ware designed the cover for my Crockett Johnson and Ruth Krauss: How an Unlikely Couple Found Love, Dodged the FBI, and Transformed Children’s Literature (due this September from the University Press of Mississippi). The front cover is above.  The full, wrap-around cover is below. Click on it for a larger image.  Trust me:

Maurice Sendak, 2011

The Most Wild Thing of All: Maurice Sendak, 1928-2012

But the wild things cried, “Oh, please don’t go– We’ll eat you up–we love you so!” And Max said, “No!” –Maurice Sendak, Where the Wild Things Are (1963) In June 2001, I went to hear Maurice Sendak speak at Yale University. A couple of years earlier, I’d started working on a biography of Crockett Johnson,

Potter in Pittsburgh, Johnson & Krauss in Normal

I’ve managed to schedule two invited talks within three days of one another.  I believe both are open to the public.  The Johnson-Krauss talk (Normal, IL, 26 Mar.) definitely is open to the public, and the Harry Potter talk (Pittsburgh, PA, 23 Mar.) offers no indication that public needs permission to attend.  So, if you’re