David Bowie and Queen’s “Under Pressure” (1981) has long been a favorite. I chose it for this (eventually ending) series of plague songs because it expresses such vulnerability, and because it calls us all to love. Given the extraordinary talent of the original performers (and of the Karen O — Willie Nelson cover, wow!), I’m
The music – written by Charlie Chaplin himself – first appears in Chaplin’s Modern Times (1936). Eighteen years later, John Turner and Geoffrey Parsons added lyrics. That version was a big hit for Nat King Cole in 1954. It’s since been recorded by Tony Bennett, Janelle Monae, Stevie Wonder, Jimmy Durante, Elvis Costello, Sammy Davis Jr., Dean
As we celebrate our one-year quaranniversaries, I invite you to sing! When I began this series last March, I titled the first post after this song… even though the song I performed was Gloria Gaynor’s “I Will Survive.” By the third Plague Song, I began using a lyric from each song as the title. But,
Surf rock in the middle of winter? And how is “Walk, Don’t Run” a plague song? Excellent questions. To answer the second one first, I might say that its title evokes the slow pace of the vaccine roll-out. I want speed, but instead must endure this andante stumble. Or I might point out that the
This song is a personal favorite of mine, and one I’ve long considered recording for this Plague Songs series. However, in an effort to keep the mood more upbeat, I have – up until now – chosen more uptempo selections. But, as coronavirus deaths in the U.S. surpass 350,000 (and 1.85 million worldwide), it’s time for
“Dynamite” is cheerful, bright, and contagious – but in a good way. That’s one reason I decided to record a version of it. We could all use a little joy, and this song is full of joy. I also like the ESL poetry of the lyrics – a series of common English-language phrases, many of them encouraging
This week’s plague song goes out to that long-tongued liar, his regime, and all who have enabled it over these past four years – whether actively or via silent complicity. The earliest recording of the song is from the Golden Gate Quartet in 1946, but it’s been recorded in many genres, by many artists, and under
This one’s for U.S. Election Day 2020, in which we address two key questions. Will the U.S. continue down the path of autocracy? Or will it commit to the work of rebuilding democracy? When 21-year-old Stephen Stills wrote (and his band, the Buffalo Springfield recorded) “For What It’s Worth” in 1966, America was in tumult.
You look like you could use a little encouragement. Yes, you. So, I’ve recorded this version of Jimmy Eat World’s “The Middle.” You may be thinking, yes, that’s a nice sentiment, but will everything be alright? Really? Well, that I don’t know. But I do know this. We can work to make it better. There
Bringing you the words of Buddy DeSylva and the music of Jerome Kern to – as the song says – “banish sadness and strife.” Written in 1919, this is the earliest in my Plague Songs series and the last regular weekly Plague Song. Appropriately, perhaps, this song dates to the pandemic of a century ago. Written for
